STUDIO CD

MAGAZINE ARTICLE

ALENA SMITH: PADDINGTON RESIDENCE

EDITORIAL STYLING, INTERIOR STYLING, MAGAZINE ARTICLEClaire Delmar

ALENA SMITH: PADDINGTON RESIDENCE

A heritage haven of quiet luxury linking salvaged sandstone and fine architectural lines  inspired a natural and autumnal palette. Additions sourced from local passionate galleries and generous suppliers catering for clients with visual interest. Balanced with monochromatic details an absolute modern sophisticated retreat.

Belle Magazine Carli Philips ‘erra firma hues and a muted palette bring this house back down to earth’

Interior Design: Alena Smith Interior Design
Styling: Claire Delmar
Builder: Grosser Constructions
Photography: Anson Smart
Featured:Belle Magazine Australia


MEET OUR PEOPLE — with Marisa Purcell

EDITORIAL STYLING, INTERIOR STYLING, MAGAZINE ARTICLEClaire Delmar

Meet our People — Marisa Purcell

Interviewer: Claire Delmar 

 In this edition of "Meet Our People," we sit down with the incredibly talented Marisa Purcell, a visionary artist whose work transcends the boundaries of imagination. Joining us for a candid conversation is the insightful interview, we delve into Marisa's artistic journey, philosophy, and the exciting projects on her horizon.

How did you get involved in the design industry, and what have been the biggest influences on your design style?

Marisa Purcell: I always longed to be an artist since I was small - but I thought that dream was for other people. So a yearning took hold of me, it was like a private passion. Devouring every book and exhibition I could get hold of and constantly playing with materials until I taught myself how to make something I liked. I was drawn to fiction and stories that hinted at the unknown and the ambiguous. I think the attraction to art was an understanding that this language could provide a space for me to live the life that I want to live.

How would you describe your design philosophy and approach? In what ways do you apply these in your work?

Marisa Purcell: My philosophy to making paintings is to have faith that the painting will direct itself. Its about having a trust in the thinking, research and experience that has come before and watching all of that unfold as you engage in the very uncertain practice of painting.

Where do you find inspiration for your designs?

Marisa Purcell: Inspiration comes from everywhere really. I'm especially drawn to light - how it falls on objects, both in nature and the built environment. I love shadows and transparencies. I constantly take photographs of windows and their reflections. The inspiration comes from a synthesis of all of these types of images, combined with things from books I love, music I hear and films I watch.

What new design trends should we be watching? Are you a fan of trends or timeless designs?

Marisa Purcell: I look at everything - art from ancient cultures up until contemporary art. I love the timelessness of Fra Angelico frescoes, eastern textile designs to modernist mid century American painting. I think it's important for an artist to have a firm grasp of art history and how we tend to repeat and add, then repeat and add some more. its all constantly evolving and as an artist I'm excited I get to add to the discourse.


How do you approach collaborations and commissions with clients?

Marisa Purcell: I love working on a body of work for an exhibition that is solely coming from my own inspiration. I let the work emerge until it feels like a whole - there's a conversation between the paintings and it answers some of the questions I have posed. with commissions, I tend to show clients previous work and get them to talk to me about several of their favourites. Its important I know their reasons why they are drawn to particular things- whether it’s the subtleties of the contrasts of colours, the scale, or the composition. I then embark on a unique work for that client that keeps in mind all their comments. it’s an entirely different process to making something up out of the blue - sometimes it’s harder, but I like how it consolidates my thinking. it reinforces something that may have evolved from chance and therefore helps me to understand my own process.

What's on the horizon for you and your business?

Marisa Purcell: As I am not currently represented by a gallery, I am free to take on various projects that will push me outside of the commercial gallery space. Public Art projects and partnerships with Architects and designers are my present focus. I do have a solo exhibition coming up next year at Hugo Michell Gallery in Adelaide which I'm very excited about. It's an amazing gallery and I can't wait to make some exciting new work for the space.

What aspect of your business do you love the most?

Marisa Purcell: I love the freedom of creating something from nothing - every day feels different as I never plan my work. I just start painting and its always a surprise where a painting takes me.

As an industry leader, what advice would you offer anyone aspiring to establish a career in a design-related field?

Marisa Purcell: The most crucial thing is to commit yourself to your practice. and turn up each day, even when you don't feel like it. Have an insatiable curiosity, work really hard, and keep refining your work until your craft is uncompromisingly good!

As an industry leader, Marisa’s advice for aspiring designers—to dedicate themselves to their practice, nurture curiosity, work diligently, and consistently refine their craft for excellence—is truly inspiring.

Thank you, Marisa, for sharing your insights with us.


THE EDIT: Marisa Purcell


THE EDIT: Christmas Edition

EDITORIAL STYLING, INTERIOR STYLING, MAGAZINE ARTICLEClaire Delmar

THE EDIT: Christmas Edition — Chrome Christmas

EDITORIAL STYLING, INTERIOR STYLING, MAGAZINE ARTICLEClaire Delmar

THE EDIT

A CHROME CHRISTMAS


In this festive season, Claire Delmar presents the Chrome Christmas Edit, a handpicked collection of gleaming pieces sourced from a selection of our favourite brands. These metallic wonders promise to infuse a touch of sophistication into your space.


THE EDIT: Christmas Edition — Seeing colour

EDITORIAL STYLING, INTERIOR STYLING, MAGAZINE ARTICLEClaire Delmar

THE EDIT

SEEING COLOUR


Claire Delmar brings a burst of vibrancy to the holiday season with the Colour Edit in this year's Christmas collection. Carefully chosen from a selection of our cherished brands, these pieces add a playful and lively touch, transforming any space.


MEET OUR PEOPLE — with Rachel Donath

EDITORIAL STYLING, INTERIOR STYLING, MAGAZINE ARTICLEClaire Delmar

Meet our People — Rachel Donath 

Interviewer: Claire Delmar 

In the world of design, finding one's unique style and maintaining a timeless approach can be a challenge. Rachel Donath, a design expert who transitioned from a corporate career to pursue her passion, shares her insights into the industry. In this exclusive interview, Rachel takes us on a journey through her design philosophy, inspirations, and the essence of her creative process.

How did you get involved in the design industry, and what have been the biggest influences on your design style?

Rachel Donath: After 15 years in the corporate world, it was time to follow my heart, so I decided to start sharing my antique and vintage finds with my very small Instagram community. The business grew from there with the opportunity to create my own pieces and start my own design brand. I am influenced by architecture, by art, by sculpture, by nature.

How would you describe your design philosophy and approach? In what ways do you apply these in your work?

Rachel Donath: At the heart of my business is an ethos that recognises the artful characteristics in furnishings. I like to think that I approach design through this sense too - looking at form and shape when developing new collections and editions.

Where do you find inspiration for your designs?

Rachel Donath: I love trawling through very old auction catalogues, antique markets, architecture and design books. I can see a cornice on an old ceiling, and this shape can be the beginning of a mirror or a side table. Inspiration really is everywhere.

What new design trends should we be watching? Are you a fan of trends or timeless designs?

Rachel Donath: Timeless 100%! I pay no attention to trends, both in fashion and also at home. I admire those who stay true to their personal style and aim to create spaces that reflect their own unique personalities. Timeless always wins when it comes to choosing pieces that speak to the heart.


How do you approach collaborations and commissions with clients?

Rachel Donath: The vast majority of our clients are in the design space, and we are often approached to create customisations on existing products to fit a project brief or vision. I relish in the opportunity to work with fellow creatives; there is so much to learn from working collaboratively, and the outcome always blows me away.

What's on the horizon for you and your business?

Rachel Donath: As a business, we are creating intentionally. We are not a seasonal or 'fast fashion' business. On the horizon are ventures into new categories, improved sustainability initiatives, and improved accessibility to our brand through worldwide stockists.

What aspect of your business do you love the most?

Rachel Donath: I love creating and scheming, mixing materials in new and surprising ways. I'm in my element surrounded by swatches and samples, where the opportunities for design and creation are endless. This is my version of a kid in a candy store!

As an industry leader, what advice would you offer anyone aspiring to establish a career in a design-related field?

Rachel Donath: I would say think less and do more. We often get stuck in planning and trying to map out every detail. I would say just start, start small, lead with heart, and see where your passion will take you!

Rachel Donath's journey from the corporate world to the realm of design is a testament to the transformative power of following one's passion. Her dedication to timeless design, collaboration, and intentional growth sets an inspiring example for budding designers. With her insightful guidance, aspiring designers can take their first steps toward a fulfilling and creative career in the design industry.


THE EDIT: Rachel Donath


THE LINE SERIES — Claire Delmar x Lo & Co

EDITORIAL STYLING, INTERIOR STYLING, MAGAZINE ARTICLEClaire Delmar

THE LINE SERIES 

CLAIRE DELMAR x LO & CO INTERIORS

We are thrilled to introduce you to The Line Series — in collaboration with Lo & Co Interiors.
This collaboration with Lo & Co resulted in a collection of handles inspired by organic forms and modern design. The "Outline" and "Inline" handles draw inspiration from both personal experiences and architectural expression.

The design journey of this collaboration encompassed pen-and-paper sketches, 2D and 3D modelling, and collaboration with Lo & Co for production. Signature materials include organic tumbled brass and tumbled nickel. These handles are intended for architects, interior designers, stylists and homemakers seeking bespoke, standout pieces for their projects.

The design philosophy combines clean lines with distinctive elements, making these handles both functional and visually intriguing.


BELLE MAGAZINE: Grand Georgian

EDITORIAL STYLING, INTERIOR STYLING, MAGAZINE ARTICLEClaire Delmar

Discover the exquisite transformation of the Grand Georgian residence in Double Bay, artfully reimagined by the talented Carla Barton, as seen featured in the latest copy of  Belle magazine .

This space exudes a timeless sophistication, seamlessly blending transitional interior design with the ever-evolving world of interior aesthetics, embracing a 'Classic Modernist' ethos.

We were delighted to be part of this project, curating furniture and artwork that perfectly complement and enhance the overall style of the space. 


BELLE MAGAZINE: Hearth House

EDITORIAL STYLING, INTERIOR STYLING, MAGAZINE ARTICLEClaire Delmar

It’s a special feeling seeing our interior styling work, on the cover and throughout the pages, of the iconic Belle magazine’s October issue. 

In collaboration with Luigi Rosselli Architects and interior designers Arent&Pyke, the Studio CD team brought in the last layer of design to complete the vision of creating a warm and immersive residence.

The Federation-style family home for six on Sydney’s Lower North Shore has been sympathetically redesigned and features a luxurious sanctuary in the form of a sunken lounge.


THE EDIT: MILAN

EDITORIAL STYLING, INTERIOR STYLING, MAGAZINE ARTICLEClaire Delmar

We had the privilege of immersing ourselves in Salone del Mobile, which serves as the focal point of Milan Design Week where the world's most innovative and visionary minds gather to showcase some extraordinary creations.

From creative discourses that really speak to the Claire Delmar brand, tours through artists' homes, and hearing their enthusiasm around each piece of their collections. The experience left us feeling invigorated and provided us with a renewed perspective in the industry, fuelling our excitement to incorporate these exquisite artworks into our upcoming projects.


Tap below to see Claire's highlights from the event.


VOGUE MAGAZINE: Wurrungwuri House

EDITORIAL STYLING, INTERIOR STYLING, MAGAZINE ARTICLEClaire Delmar

We have loved seeing Project Wurrungwuri throughout the pages of Vogue living this month.

Renowned architects Carter Williamson have masterfully blended a heritage waterfront cottage with a contemporary extension, placing a strong emphasis on light, connectivity, and artistic design.

In harmony with their vision, our styling pieces were carefully selected to enhance the space, striking a balance between high-end elegance and a warm, inviting atmosphere, creating the perfect setting for socializing.


Architecture and Interior Design by Carter Williamson
Photography by Pablo Veiga
Styling by Studio CD by Claire Delmar

 "Light, connection and artful language formed the FOUNDATIONS for design firm Carter Williamson in linking a heritage waterfront collage with its CONTEMPORARY extension counterpart"
– Virginia Jen


BELLE MAGAZINE: Tamarama Hill House

EDITORIAL STYLING, INTERIOR STYLING, MAGAZINE ARTICLEClaire Delmar

The exquisite Tamarama Hill House, a coastal haven built with the modern urban family in mind, was beautifully captured in the pages of Belle Magazine Australia.

Tamarama Hill House reflects the unique needs of a family with two teenage children. With its welcoming ambience and exceptional attention to detail, this home is the epitome of coastal luxury living. 


Architecture and Interior Design by Alexander and Co
Photography by Anson Smart
Styling by Studio CD by Claire Delmar

"A savvy mix of beach cool and urban chic elevates this Sydney penthouse apartment and enhances the appeal of its sparkling water view”
– Judy Pascoe


BELLE MAGAZINE: KYLE BAY HOUSE

EDITORIAL STYLING, INTERIOR STYLING, MAGAZINE ARTICLEClaire Delmar

Inspired by Brazilian modernism, maximalist interior designer Greg Natale has brought his trademark clashing patterns and bold layering to his Kyle Bay project. Our response was to meet the strong brutalist architecture and artful interiors with highly sculptural, mid-century-inspired pieces and a vibrant colour palette.


Interior Design by Greg Natale.
Photography by Anson Smart.
Styling by Studio CD.

“A maximalist aesthetic against minimalist lines – that juxtaposition is at the heart of what I do."
– Greg Natale

The three-storey, five-bedroom house sits comfortably among the greenery in the southern Sydney suburb of Kyle Bay and overlooks the Georges River. Its inverted floor plan suits its cliffside setting, with bedrooms on the top floor, kitchen, dining and living areas on the second floor and a generous bar area on the lowest floor leading out to an expansive pool deck. Concrete assumes a decorative and structural role. Off-form slabs create an appealing grid effect on the house’s exterior and continue inside, where the tie holes, filled with brass, seem to draw their warmth from the American walnut floors.

– Fiona Daniels, Belle Magazine


ELLE DECOR ITALIA: THE ESTATE

INTERIOR STYLING, MAGAZINE ARTICLEClaire Delmar

A sprawling 1880s homestead in rural NSW has been transformed into a sustainable, design-savvy home by Luke Maloney Architecture. Embracing the home's historic past and looking to the future, we focussed on enhancing the traditional features of the home by juxtaposing shapes and lived-in textures with an antique colour palette.


Architecture by Luke Maloney.
Library Furniture Collaboration Arent & Pyke.
Photography by Tom Ferguson.
Styling by Studio CD.

"Architectural lighting and high-tech appliances create a fresh contrast
with the original stuccos, bringing into dialogue the charm of the home's history, with the rigour of modernity."

Built in 1880 for an important farming family, 'The Estate', as it is known today, was once the heart of a large farm made up of stables, vegetable gardens and cultivated fields, housing the workforce and even a general store intended for the sale of basic necessities to European settlers in the area. Belonging to the same property for more than a century, it was acquired by a young couple with two children who longed for a life away from the hustle and bustle of the city. The company to renovate it, make it habitable and transform it into a sustainable home, was entrusted to architect Luke Moloney.

– Elle Decor Italia


BELLE MAGAZINE: HARBOURVIEW HOUSE MOSMAN

EDITORIAL STYLING, MAGAZINE ARTICLE, INTERIOR STYLINGClaire Delmar

Drawing from the existing home and its European-influenced stylings, Harbourview House exemplifies a contemporary and refined approach. Created by two powerhouse interior design studios, Studio Gestalt and Studio aem, we focused on highlighting the homes bold architectural details through the careful balance of scale and colour with sculptural decor and interesting art pieces.

Article featured in the November Edition of Belle Magazine, out now. Photography by Anson Smart. Styling by Studio CD.

Spread over five generous levels, Harbourview House is a refined embrace of its location overlooking Sydney Harbour. Within the original architecture of Susan Rothwell, the amended interior was re-sculpted to add to the exterior approach anchored to the site and further bring principles of elevated longevity into the interiors. Evolving through the process of engagement, the scope of works expanded from furniture and styling to include the interiors to ensure the home in its entirety felt cohesive and considered as a whole. Rare in its combined size, outlook and location, connecting the resulting home as a representation of that envied position was key. Studio aem and Studio Gestalt bring quality materials and craft together to ensure the continued relevance of the home.

THROUGH A SYMMETRICAL APPROACH, A NATURAL BALANCE IS CREATED, WHERE EACH SPACE FEELS FORMALLY BROUGHT TOGETHER WITH SELECT AND ICONIC FURNITURE, LIGHTING AND ARTWORK CURATED IN PLACE.

Looking further afield, Europe and the effortless means by which the contemporary and the historic are brought together was influential to the direction and principles driving the resolve. Embedding handmade and artisanal features and carefully attuned details throughout while also highlighting those already in place ensures the home feels as though it has existed for many years. Through a symmetrical approach, a natural balance is created, where each space feels formally brought together with select and iconic furniture, lighting and artwork curated in place. Each connecting zone speaks to the personalities of its owners and draws from a celebration of quality design found in Italy.

In proposing a new identity for the home, French herringbone patterned oak flooring is installed throughout, referencing the Haussmann style while also adding an element of animation underfoot. Custom joinery also conceals storage and brings a textured warmth. While the existing French windows and stone fireplaces remain in place and untouched, the new inserted elements aim to sit in a complementary fashion aside them, adding to the home. Curved silhouettes are added to break up the formality of the regular and formal planning, hinting at the movement and circulation within and amongst the rooms internally. The rich layering of textural and tactile leathers, velvets and plush rugs then reinforces a connection to quality and lay the foundations for the chapters to come.


INSIDE OUT COLOUR EDITION: VIBRANT HUES TO CALMING NEUTRALS

MAGAZINE ARTICLE, INTERIOR DESIGNClaire Delmar

Our design aesthetic has become renowned for the way we use neutral colours and in this month's Inside Out Magazine Colour Issue, our Creative Director Claire, weighs in on why she favours calming neutral tones and how to make them work in any space. We're in good company too, with Yasmin Saleh Ghoniem from YSG Studio and Julia Green of Green House Interiors, sharing their favourite hues.​

Article featured in the October Colour Edition of Inside Out Magazine. Photography by Dave Kulesza, Prue Ruscoe, Armelle Habib & Nicole Rose.

Brimful of colour and creativity, this month's Colour Edition of Inside Out is sure to inspire a kick start to your renovation and decoration planning, with a kaleidoscopic injection from designers, stylists, homeowners and creatives all over the world.⁠ Flick to page 56 to get your colour inspiration from these interior design experts.




GUNNAMATTA: MID-CENTURY MODERNISM IN SYDNEY’S SOUTH

INTERIOR STYLING, MAGAZINE ARTICLEClaire Delmar

Located on an ideal site opposite the Cronulla Sailing Club and on the farthest reach of Gunnamatta Bay in Sydney’s south, mid-century modernism guided the design of this expansive property. An overall feeling of calm was achieved by taking a pared-back approach, using soft tones and natural finishes befitting its serene beachside setting.

Interior Design by Mim Design. Architecture by Vitale Design. Photography by Nicholas Watt. Styling by STUDIO CD.

This cool and restful home is anchored by a simple yet flexible floorplan and robust materials. Honed limestone floors and polished plaster walls wrap the living spaces, and lining board on the ceilings play up the mid-century theme. The concave kitchen island and the gentle inverted curve of the fireplace softens the rigidity of the stone, while timber batten details interrupt expanses of marble in the bathrooms.

The living room has sightlines to the kitchen and the poolside entertaining zone. Timber batten joinery brings texture to the space, wrapping around to form a bookcase and reappearing as a sliding screen over the television. The Agra rug by Armadillo & Co. merges with the stone floor, while the blush of the sofa picks up the accent in the Sarah crowESTartwork on the wall. Ceramic and bronze sculptures are organic touches in the muted space, their curves and vertical lines echoing those in the furniture, such as the Cinetique floor lamp by Martin Hirth for Ligne Roset and classic Hans Wegner Circle chair.

Tucked behind the entry wall is a much-used lounging nook, illuminated by a Douglas and Bec Line pendant. An Innate side table by Jon Goulder for Spence & Lyda and rattan ottomans by Franco Alibini for Sika Design combine with art in the form of a Carol Crawford sculpture, one in a vast collection that Studio CD curated for the home, and an Antonia Mrljak painting.


"THE COOL, RESTFUL INTERIORS FEATURE AN UNDERSTATED BUT ROBUST MATERIALS PALETTE THAT INCLUDES HONED-LIMESTONE FLOORS, POLISHED PLASTER WALLS WITH OAK-BATTEN PANELING, AND A MARBLE KITCHEN ISLAND." – Peter Webster

Upstairs, the generous master suite enjoys bay views. Referencing a popular 1950's joinery detail, the Vitale team played with the grain structure, interrupting the vertical line by running the timber horizontally across the lower section of the door and bedhead. A walk-in robe is behind, and the self-contained nursery is within earshot. In front of the bed is a Reeno upholstered bench from Grazia & Co. The photographic work is by Isamu Sawa.


A MEDITERRANEAN INSPIRED, RESORT-STYLE GARDEN

EDITORIAL STYLING, MAGAZINE ARTICLEClaire Delmar

Every Wyer & Co. land­scape is a unique response to peo­ple and place and Anthony Wyer's personal project at his own home is certainly no exception. Conceptualised around an existing sandstone boulder the resulting Mediterranean-inspired garden which seamlessly flows into the interiors of the home, is an exercise in relaxed, resort-style living. We highlighted the European summer aesthetic, with a rich, earthy colour palette and a selection of natural, tactile materials.

Landscape design by Wyer & Co. Photography by Anson Smart. Styling by STUDIO CD. Featured in the June issue of House & Garden Magazine.

Sydney landscape designer Anthony Wyer and his wife Rebecca recognise potential when they see it. When they bought this property in Sydney’s eastern suburbs almost six years ago, it wasn’t exactly their dream home. But with constant fine-tuning, this design-savvy duo has produced a home and garden that reflects their style and perfectly fits the needs of their family.


"WHEN PEOPLE WALK OUTSIDE THEY SEE THE CAVE AND NATURALLY CONGREGATE IN THERE"
– Anthony Wyer

EVOLVING SLOWLY OVER TIME AROUND AN EXISTING SANDSTONE BOULDER THIS
MEDITERRANEAN-INSPIRED GARDEN IS AT ONCE A FAMILY RETREAT AND AN EXERCISE IN RELAXED, RESORT-STYLE LIVING.

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The garden renovation has been years in the making. From the moment they moved in, Anthony had been dreaming up and drafting landscape concepts. At the front, where the 130-square-metre garden sits high above street level, the priority was to soften the home’s facade and bring greenery to the fore. In response, he created a Hanging Gardens of Babylon-style design of layered, draped and cascading plantings against a backdrop of freshly-painted white walls.

“HAVING OUTDOOR SPACES THAT WORK ALL YEAR-ROUND IS REALLY IMPORTANT TO US, AND THE FIREPLACE IS CENTRAL TO THAT.” – Rebecca Wyer


A HOME WHERE EVERY ROOM TAKES YOU ON A JOURNEY

EDITORIAL STYLING, INTERIOR STYLING, MAGAZINE ARTICLEClaire Delmar

This unexpected home in Sydney's East captures the spirit of India and houses treasures from all over the world. Taking cues from the eclectic style and rich colour palette within each room, we artfully balanced the homes bold personality by juxtaposing a mix of unusual shapes, textural pieces and antiques to achieve unique spaces, that are full of character.

Architecture & Interior Design by Alexandra Kidd. Photography by Brigid Arnott. Styling by STUDIO CD. Featured in House & Garden Magazine, May issue. See the full project HERE.

Decadence is the word that comes to mind when you walk through the doors at Lang Road. Designed and built in 1910, this federation home sprawls over three levels and boasts some original yet eccentric details – magnificent bay windows, exquisitely detailed stained glass and grand fireplaces. Having undergone a recent and extensive renovation, our studio was engaged to complete the interior decoration and furnishings.

"A HOUSE LIKE LANG ROAD, WITH ITS ORNATE CORNICES AND EXAGGERATED CURVED WALLS, REQUIRES DECORATION THAT WILL COMPLEMENT, RATHER THAN COMBAT ITS DISTINCTIVE STYLE."
– Alexandra Kidd

A spirited mix of colour, pattern and texture are consistent, but each room speaks its own language and emotes its own sense of place. As you journey through the finished space, no two rooms compete with each other. Some reflect a more traditional luxury, others are bold and whimsical; there are moments of playfulness and places of pause.

"OUR CLIENTS’ IMPRESSIVE COLLECTION OF ANTIQUES AND ART; GORGEOUS BONE INLAY PIECES, FABULOUS INDIAN SARIS AND AN OUTRAGEOUSLY HOT PINK BICYCLE BROUGHT TO THE EQUATION FOR COLOUR INSPIRATION AND DESIGN SCHEMES."
– Alexandra Kidd


INTRODUCING THE UNDERLINE TABLE

MAGAZINE ARTICLEClaire Delmar

A sophisticated design by Claire Driscoll Delmar of STUDIO CD and hand-crafted by Hegi Design House.

The Underline table is a collaborative piece representing Claire’s expert knowledge and use of texture, materiality, shape and colour, forming a statement piece to celebrate around.

Featured in Vogue Living September issue.
Available for purchase through Hegi Design House

Design and styling STUDIO CD Photography Pablo Veiga Location Dovecote

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